Tuesday, 25 December 2007

Oscar Peterson

Sad news that the great Oscar Peterson died on 23 December. My cd collection does not have much of his music but what I have heard I thought was marvelous. The speed of his piano playing was unbelievable I only wish I had seen him live.

Sunday, 23 December 2007

Three Generations

This picture was taken in 2005 and is of myself, my son James and my father. Unfortunatley James does not play anymore but it was a proud moment for me all playing together.

Friday, 21 December 2007

Anita Wardell and Trudy Kerr

The music normally served at Googlies on a Thursday night is jazz of the serious kind. Instrumentalist of various genres are the usual fare playing to hard core foot tapping jazz aficionados. But last nights guest acts bucked the trend. We were given a festive helping of two of Britain’s best female vocalists in the form of Anita Wardell and Trudy Kerr. This was not a night of hard nosed sax playing but of laughing smiling performers in red frilly cowgirl hats. They admitted they had spent the day shopping in Brent Cross, something it is hard to imagine being done by Peter King or Ben Clatworthy.

But whilst the atmosphere may have been on the lighter side the music was still of high quality. Both Anita and Trudy have superb singing voices and they were a joy to listen to. There were plenty of standards such as The Girl from Ipanema, Misty and Lullaby of Birdland. In the last set Anita sang ‘I Thought about You’ and shared a chorus with bass player Michael Cole. The musical chemistry and understanding between them seemed very intense and for me was a high point of the evening. Wardell and Kerr either shared the stage or sang solo. Wardell’s style was scat singing. Her 4 bar interchange with resident sax player Bill Yeomans was excellent and showed that the improvising voice can be a match for a jazz instrument any day. Kerr’s style was more laid back and smooth but still with a great deal of character and warmth.

The evening drew to a close with a couple of Christmas songs which were ably assisted by the assembled throng. ‘ White Christmas’ and’ Rudolph the Red Nose Reindeer’ are always guaranteed to get a crowd singing and last night even had your humble correspondent joining in, at least I can now say I have sang at Googlies.

Tuesday, 18 December 2007

Memories of My First Concert

I have registered with the ‘Sax on the Web’ forum. It can be good fun and sometimes has interesting topics under discussion. One I saw today had a remark about playing in a concert band and how it improves ones musicianship. I posted a reply but it got me thinking about my early days playing in a band.

I am largely self taught. I have had help from my father but he lives quite a way away and so I don’t see him much. Anyway when I decided to take up playing I practised everyday. It was a daily ritual of coming home from work and playing for an hour before I had something to eat. My progress was very good. But after a year or so I felt the need to play with others. After a lot of searching on the internet I finally found a band in Rayleigh, Essex called ‘Harmonie Concert Band’ and joined them. I obviously found it very difficult to start with and usually lost my place in the music very quickly. However, as the weeks went on it got easier and easier. I still was a long way from playing well but at least I was keeping up and playing a lot of the music.

My big memory though is the first concert I took part in (25 June 2005). It was at a VE/VJ day Anniversary event at a TA centre in Great Wakering. I was doing fine until we played some Glenn Miller stuff. My problem came during Moonlight Serenade. I was enjoying myself so much I started to laugh and could not continue playing. I tried but the thrill it gave me to be sitting in the centre of that marvellous sound just touched me so much. Every time I put my mouth to the instrument and tried to blow I could only laugh more. I will never forget that night as it has spurred me on to experience it more. I don’t laugh now but I do enjoy myself just as much.

That’s what I love about music!

Monday, 17 December 2007

The Harvey Shopping Centre, Harlow

The Christmas carol concert on Saturday went very well. There was a little scare just before the start as some of the music stands had not arrived and the saxophone section was sitting with nothing to put our music on. Thankfully they arrived just in the nick of time. We played a mixture of tradition carols and pieces from our current programme. Abba Gold reared its head again and there were a few groans from the band when our conductor called it. This was also the case with the Sound of Music medley. I suppose some m embers have been playing these for many years but I enjoy playing them and am quite happy to play.

We were collecting for a local hospice and we had a number of collectors around the shopping centre. My two sons were due to help but disappeared soon after we arrived. When I asked why they did not help they said that they did not want to wear the bright green bibs. It seems charity does not extend to being street cred!!!!

Thursday, 13 December 2007

It's Christmas

Rehearsal last night was of course mainly Christmas carols in preparation for Saturday. We are due to play in the Harvey Shopping Centre at Harlow starting at 10am.

In our little way The Harlow Concert Band is maintaining a tradition that goes back a very long way. Christams songs can be traced back to around the thirteenth century, but most of the songs that we know are from the mid nineteenth century. I discovered that Oliver Cromwell banned the singing of carols, but then he did ban everything, including the King. Singing songs at this time of year was not confined to the church. A lot of the carols we know started life as folk songs. Classical composers also used carols in their compositions and people like Handel used them to great effect.

So, by performing our short carol concert to the happy shoppers of Harlow we are playing our part in a long tradition of bringing the spirit of yuletide to the people of the land. And there is no doubt about it, the sound of a carol does warm the heart. Merry Christmas.

Monday, 3 December 2007

Theydon Bois Village Hall

Although the rehearsal did not go well on Wednesday, the concert on Saturday at Theydon Bois was a success. We had around 80 people in the audience and they seemed to enjoy the music very much. I had a few members of my family there which is nice and my eldest son got roped in to take the money at the front door. He has plans to be an accountant, so taking other peoples money is a pleasure for him. Just hope when he starts earning he does not forget his old dad.

Talking of money, my youngest cost me a bit. At the interval he asked for some money to buy a drink. I gave him a couple of quid and asked him to get me one. On his return I asked for the change only to be told that there wasn’t any. I said that surely that the drinks were not a pound each. ‘No, they just asked for a donation and I put the whole lot in’. Two orange drinks, £2. Should have sent the accountant!!!!

Thursday, 29 November 2007

Not a Good Rehearsal

Nothing much to report at last nights band rehearsal. We were preparing for another week end concert and due to the close proximity of our last few we are playing the same stuff. No time to learn something new. So, I think we felt a bit flat last night. Also we did not get into anything. We just practised the pick ups and finishes and so I found it difficult to get settled. It seemed that all we did was select the sheet music play a few bars and then on to the next.

Monday, 26 November 2007

Ralph Vaughan Williams

On Saturday (24th) I spent the day wandering around Dorking in Surrey on a self devised Ralph Vaughn Williams discovery tour. Unfortunately there was little to see. There is a statue outside the Dorking Halls but it seemed out of the way due to its location at one end of the high street. There is also a plaque in the porch of St Martin’s church where RVW conducted many a concert. But that was about it. I did find a leaflet that gave other connected locations such as the White Horse hotel (concerts) and the Oddfellows building (rehearsals) but the museum had nothing neither did any of the local book shops. I was told to try the library but it was closed. We did drive to Leith Hill Place to see his old house but it was difficult to see from the road and is not open for visitors. His other address known as ‘White Gates’ off Woodcott road has now been demolished. I did think I was going to see more but maybe the people of Dorking do not view him with any tourist potential. I did manage to get a couple of Naxos CD’s of his music and spent the afternoon listening to such gems as The Lark Ascending and Fantasia on a theme by Thomas Tallis. As I lay on my hotel bed listening to this wonderful English music I could only feel a little sad that we are not celebrating one of our composers more in the very town that he lived. But should we? Maybe if there were rows of RVW tea shops and souvenir emporiums I would complain about the commercialism. Perhaps we should just be satisfied with his musical legacy and not crave worthless memorabilia and biographies by the score.

Friday, 23 November 2007

Peter King

Last nights star guest at Googlies was alto saxophonist, Peter King. This man's jazz is on a different planet. His playing is complex, intriguing and mesmerising. I was transfixed just watching his fingers move around the sax. His improvisation is just fantastic and to witness this quality of jazz so close up is an experience I will cherish forever.
During the last set, King and the house band played Wayne Shorters Footprints. Each part of the line up played extremely well and their soloing were high class. But I have to mention Colin Peters on piano whose improvisation was above the top draw. He appeared to be in a trance as he slowly lingered on each single note, letting the sound hang in the air. The tension he created made my spine tingle and he just kept the momentum going by slowly increasing the tempo. Improvisation is about tension and release, building the listeners emotions up and then letting them down. Colin Peters did not release the tension until the very last chord. He kept us up in mid air extending our apprehension and suspense until the last possible note. In the end I felt drained.

Thursday, 22 November 2007

Wednesday Night Rehearsal

An important nights rehearsal for the concert on Saturday. We went through the whole programme and practised all the bits we were having trouble with. Most of these trouble areas were changes of tempo and pick ups after cut offs. It is obviously important for us to start together and at the correct dynamic after a silent pause. Although I am not involved with the concert it was good practise for me and I always look forward to playing.

Tuesday, 20 November 2007

Songs That Make You Tingle



Heard one this morning on my car radio. Terry Wogan’s opening record on his breakfast radio show was I’m a believer, by The Monkees. I could not help singing along and simulating playing the organ bit at the end of the lines. This morning my car dashboard suddenly became a Hammond Organ.

It brought back happy memories of watching the TV show with my brother. We had quite a few of the singles and no doubt if I asked him, my trivia minded brother could name the ‘b’ sides to each one. He is very sad!

Monday, 19 November 2007

Harlow Town Xmas Lights Switch On



On Saturday morning I played with the Harlow Concert Band at the Harlow Town Centre. This gig, if you can call it such, was as part of an event for the Mayor to turn on the Christmas lights. It was very cold and we all had tuning problems due to the low temperatures. Still, I figured that if we were all flat then no body would notice. We played a couple of carols, a suite of ABBA songs and 'Is this the way to Amarillo'. It was good fun being part of this local event. There were other acts on during the day such as a steel band, fancy dress and hip-hop pop, what ever that is.

Ten-17 FM were also in attendance and took this picture for their web site. I am the grinning idiot at the back.

Friday, 16 November 2007

Googlies Jazz Club

Last night two old boys of the British jazz scene ,Campbell Burnap and Mike Cotton appeared at Googlies Jazz Club, Enfield. The temperature outside may have been close to freezing but the atmosphere inside the club was warm and cosy. Burnap’s deep soft voice echoes the warm tone he produces on his trombone. His jazz was laid back and unhurried whilst his jokes between tunes had a cosy familiarity about them, yes they were old. Mike Cotton’s trumpet playing was bright and appeared effortless, unlike some players who look like they are about to burst when playing. Both were supported superbly by the resident house band The Colin Peters Quartet which included Michael Cole (Double Bass), Bill Yeomans (reeds) and Sid Thompson (drums).

Sid in fact was deputising for regular drummer and club president John Jarvis. John has recently had a hip operation and has been out of action for a while. It was nice to see him in the audience last night and judging by the ferocity of his foot and finger tapping he can’t wait to be back on the skins.

The music was of the usual high standard with lots of standards mixed in with less familiar numbers. As well as the front men soloing on their respective horns we were treated to Burnap’s singing. His rendition of Sweet Lorraine was beautifully done and enjoyed by the large audience. So too was the final blues number, Kansas City , sung by Mike Cotton who showed his virtuosity by playing the harmonica in a fashion that any New Orleans blues man would be proud of. A great night!

Thursday, 15 November 2007

Rehearsal Night

Last night I attended the usual Wednesday night rehearsal of the Harlow Concert Band. This was a bit different in so much that we were led for most of the evening by the conductor of the City of Peterborough Concert Band, Mr Henry Clydesdale. He came down to take the rehearsal with a view to practise the music we are to play together in a forthcoming joint concert. I unfortunately won’t be able to do the concert but it was good to play anyway.

My highlight of the evening was playing ‘The Blue and the Gray’. This is a medley of songs from the American Civil War. It includes such well known numbers as Aura lee, The Yellow Rose of Texas and John Brown’s Body. There were a couple more but my Limey ears could recognise the melodies but not the titles. A special moment I thought was when the Bassoon and the Piccolo played together. Both players are very accomplished and gave a very fine performance. It should be a good concert.

On Saturday we play in the Harlow Town square at the ceremony of turning on the Christmas lights. It seems a little early to be playing carols but hopefully it will put everyone in the festive spirit. I just hope it is not too cold or worse still, raining. I am not keen to play outside.

Monday, 12 November 2007

Harlow Playhouse Concert



Last night I played Tenor sax for the Harlow Concert Band in a Remembrance Day service at the Harlow Playhouse, Essex. It was a great night and a big thrill for me to play on this stage. I remember seeing Status Quo play there in the early 1970’s and so last night brought back many memories of that evening. Our programme of music did not include any 12 bar blues or rock and roll but we did play some good music which was appreciated by a nearly packed house.

Because of the occasion we did play a lot of military style tunes. Soldiers in the Park, Steadfast and True and the New Colonial March kept the audience tapping their feet in a 2/4. We also gave them something to sing along with, with songs such as Keep Smiling Through and Land of Hope and Glory (with reprise). Mike Pearce, our conductor, as a liking for the theme music to the TV series Band of Brothers. It is a beautiful tune and I hope he thinks we gave it justice.

For my part, I enjoyed playing As Time Goes By. My fellow tenor saxophonist played the solo part but it is also a nice piece to play the accompanying harmonies to. It has a good swing feel to it which is fun to play on the sax.

Friday, 9 November 2007

Frank Hardcastle (my father)

Although I am middle aged I have recently started to learn how to play clarinet and saxophone. This is because of the major regret in my life. Not learning when I was a kid. I had all the chances I needed, but ignored them. There were far more interesting things to concentrate on such as the 1966 World Cup, Georgie Best and the Beatles. But now I have realised how stupid I was and am putting it right.


The chances I refer to above are because of my Father. He was a semi-professional jazz musician for most of his life. He played, and still does, piano, clarinet, saxophone and flute. He can also arrange and compose music. When I was a kid I would hear him practise every day and the sound of music would fill the house. I am sure now that this unwittingly soaked into my head, only to come out later in life. Back then I had no idea what I was being exposed to.


So, this blog starts with a very brief description of my musical heritage, the story of Frank Hardcastle and how he shaped my love of music.


He started playing piano when he was young. He had the usual lessons and spent many hours picking out tunes on the family piano. I am guessing here, but I suppose being exposed to the music played on radio during the 1940's he was bound to develope and ear for dance band and jazz music. In any case he ended up with a saxophone and taught himself how to play it. By the fifties he was in the Royal Air Force at St Athan, Wales doing his national service. Whilst there he became involved in playing in military and dance bands.


Looking back he told me that this was the time when he learnt most about how to be a musician by following tempo and synchronising with the other members of the band. By the time he came out of the RAF he was ready to face the world of a part time dance band player. These were the times I remember so well. I still have the mental image of him in his dress suit smelling of cheap aftershave and carrying his old battered saxophone case out of the door on his way to some gig.


This was his main form of musical income for many years. But he also had a day job working in a factory which, he hated. I can well remember him complaining about the music he had to listen to on the radio in the workshop. He hated listening to pop music and the continual playing of the 'Hit Parade' drove him mad. I think a particular record that gave him a great deal of angst was Mary Hopkin's 'Those were the day's'. He said it was repeated so much that he didn't think he could stand it any longer.


Ironically it was pop music that proved to be the help he needed. An old friend from his RAF days was a man called Norman Smith. What dad did not know was that Norman had entered the music business as a recording engineer for EMI and became the chief engineer for the Beatles. He eventually launched his own singing career under the name Hurricane Smith and had a hit single with 'Don't Let it Die'. Norman wished to follow this success with a second single where he wanted to include a jazzy alto saxophone solo. He contacted dad and invited him to play. As a result the single 'Oh babe waht would you say' was born. It was very successful, not only in the Uk but also in Europe and the US. This led dad to give up the factory and work full time touring with Hurricane Smith. He literally gave up his day job.


For my brother and I this was a fantastic time. I loved telling my mates at school that dad was to be on Top of the Pops. We once visited the studios at Abbey Road and later saw Slade and Alvin Stardust live at Granada TV studios Manchester.


Franks professional career took many turns. He did a bit of session work with EMI playing on recordings made by such pop icions as Lena Zavoroni, The Pretty Things and Beranrd Manning. In 1975 He played on a record by Johnny Wakelin about Muhammed Ali called 'Black Superman'. He continued to work with Hurricane Smith on a couple more singles and was Musical Director on the 'Don't Let it Die' album.


Over the years he aslo played with some big bands including Herb Miller (Glenns brother) and Ray Shields. Eventually he went back to jazz , etching out a living with various combos playing in pubs and clubs around the country. He has now retired and living in rural Norfolk.


So, thanks dad. I may not have taken to music when I should have, but it is never too late to start. I get an enormous amount of pleasure from playing my saxophone and clarinet and feel that it is because of the influence you have given me over the last 40 odd years.